Olivia Hassett’s art practice is interdisciplinary and frequently collaborative, realised through site specific sculptural installations and live performances. These installations and live works draw directly from Hassett’s preoccupation with metaphorical and phenomenological notions of skin as a porous, liminal boundary between public and private aspects of the human body.
Central to Hassett’s ongoing exploration of the visceral body and it’s propensity to be simultaneously grotesque and sublime is her interest in an expanded notion of skin, beyond that of abjection and binaries; inside / outside, public / private, male / female, hard / soft, but as a threshold that is continuously shifting and morphing. Hassett’s practice focuses on developing work that is openly provisional and allows movement back and forth along these edges exploring the unknown and creating a space for transformation.
Olivia Hassett completed a Masters of Fine Art at the National College of Art and Design, Dublin in 2012. Hassett is the inaugural artist in residence in the Manufacturing and Mechanical Engineering Department of Trinity College Dublin. In 2015 Olivia Hassett and Professor David Taylor hosted Endo/ Exo, an exhibition of their collaborative project in Trinity College Dublin. Other one person shows include; In | Between, deAppendix, Dublin, 2014 (part of a three month residency), Somatic reassemblage, Newbridge Arts Centre, January 2014 and Anamorph, Garter Lane Arts Centre, Waterford, June 2013. Recent solo performances include Screened I, MART, Dublin, 2015 and Screened II, PAB Bergen, Norway, 2015. Olivia Hassett was awarded an artists bursary from the South Dublin County Council in 2014.